Outline Laha 10 is a very bold, wide, low contrast, upright, normal x-height font visually similar to 'Imagine Font' by Jens Isensee (names referenced only for comparison).
Keywords: headlines, posters, logotypes, game ui, display signage, arcade, sci‑fi, techno, futuristic, industrial, retro tech, ui display, high impact, geometric branding, geometric, angular, rectilinear, squared, stencil-like.
A rectilinear, geometric outline design built from thick, squared contours with consistent stroke weight and sharp corners. The letterforms favor boxy proportions, stepped terminals, and occasional chamfered or notched joins, creating a modular, constructed feel. Counters are largely square or rectangular, and several glyphs use interior cut-ins and channel-like voids that emphasize the outlined construction. Spacing appears moderate with a steady rhythm, and the overall silhouette reads compact and solid despite the hollow interiors.
Best suited for short display settings such as headlines, poster titles, branding marks, game interfaces, and tech-themed signage where its outlined geometry can be appreciated. It can work as a strong accent in packaging or event graphics, but extended text will typically feel busy due to the internal cut-ins and outline-only construction.
The font projects a retro-digital, arcade-like tone with a hard-edged techno attitude. Its squared outlines and carved-in voids evoke circuitry, maze motifs, and pixel-era signage, giving it a distinctly synthetic, game UI energy. The mood is assertive and mechanical rather than friendly or literary.
The design appears intended to deliver a bold, modular display voice that references retro computing and arcade aesthetics while staying strictly geometric. By using thick outer contours and carved interior voids, it aims for high visual impact and a distinctive, engineered identity.
Many characters rely on simplified geometry and uniform corners, which helps maintain consistency across caps, lowercase, and numerals. The outlined structure and internal cutouts make the face especially sensitive to size and background contrast; it tends to read best when the outline thickness has room to breathe.