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Stencil Efry 8 is a very bold, narrow, low contrast, upright, normal x-height font visually similar to 'Swiss 721' by Bitstream, 'Grupi Sans' by Dikas Studio, 'Helen Bg' by HS Fonts, 'Helvetica' and 'Trade Gothic Next Soft Rounded' by Linotype, and 'TT Commons™️ Pro' by TypeType (names referenced only for comparison).

Keywords: posters, headlines, signage, packaging, branding, industrial, tactical, utilitarian, rugged, retro, impact, stencil marking, visual texture, industrial branding, headline display, rounded corners, soft terminals, chunky, poster-like, high impact.


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A heavy, compact display face with a stencil construction: strokes are interrupted by consistent bridges that create enclosed counters and segmented bowls. The letterforms are built from broad, low-modulation strokes with rounded corners and softened terminals, giving the shapes a cutout, sprayed, or marked-through feel rather than sharp mechanical precision. Curves are simplified into sturdy arcs, joins are blunt, and spacing is tight, producing a dense, high-ink rhythm that stays legible through the deliberate gaps.

Best suited to display settings such as posters, titles, logotypes, labels, and wayfinding where a bold stencil look is desirable. It works well for industrial-themed branding, event graphics, and packaging that benefits from a rugged, marked/painted aesthetic.

The overall tone is assertive and functional, evoking labeling, equipment markings, and no-nonsense signage. The rounded stencil breaks add a slightly playful, vintage edge while still reading as tough and workmanlike.

The design appears intended to deliver maximum impact with a recognizable stencil identity, combining robust, simplified forms with rounded shaping to keep the texture friendly and readable while still feeling utilitarian.

The stencil bridges are prominent enough to become a defining texture across words, especially in curved letters and numerals, where the breaks create a repeating pattern. At larger sizes the cutouts read as graphic detail; at smaller sizes they may visually merge, so the design feels most confident when given room.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸