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Free for Commercial Use

Distressed Kyni 6 is a bold, normal width, high contrast, upright, normal x-height font visually similar to 'Corelia' by Hurufatfont and 'NuOrder' and 'Syke' by The Northern Block (names referenced only for comparison).

Keywords: posters, headlines, packaging, album art, badges, rugged, vintage, gritty, handmade, industrial, aged print, tactile texture, impact display, analog grit, signage feel, roughened, weathered, inked, stenciled, noisy.


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A heavy, all-caps-forward display face with compact proportions and visibly eroded outlines. Strokes are thick with irregular, broken edges and small internal voids that suggest ink spread, worn type, or rough printing on porous stock. Counters are generally tight and simplified, terminals tend toward blunt cuts, and the baseline/shoulders show subtle wobble that keeps the texture lively. Uppercase forms read blocky and sturdy, while lowercase remains legible but retains the same distressed contour and slightly uneven rhythm; numerals match the same rugged construction.

Best used for short, high-impact text such as posters, headlines, logos, labels, and packaging where the worn texture can be appreciated. It also suits apparel graphics, badges, and event or music collateral that benefits from a raw, analog print feel; avoid dense body copy where the distressing can reduce clarity.

The overall tone is gritty and utilitarian, evoking aged signage, crate markings, and inked ephemera. Its texture feels tactile and imperfect, lending an analog, lived-in character that reads as tough, informal, and slightly rebellious.

The design appears intended to mimic the look of heavily used letterpress or screen-printed type—solid shapes that remain readable while carrying deliberate abrasion and ink artifacts. It prioritizes mood and texture over pristine geometry, aiming for a convincingly aged, handmade impression.

Distressing is consistent across the set, producing speckling and bite marks along stems, bowls, and joins rather than isolated damage on a few letters. The roughness increases visual noise at small sizes, but at larger sizes it becomes a defining texture that adds personality without fully obscuring letterforms.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸