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Sans Other Sofi 5 is a light, normal width, monoline, upright, normal x-height, monospaced font.

Keywords: ui labels, terminal ui, code mockups, sci-fi titles, game huds, techno, digital, modular, futuristic, retro, grid logic, system signage, retro computing, technical clarity, futurist tone, rectilinear, angular, geometric, cornered, schematic.


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A rectilinear, modular sans built from straight strokes and crisp right-angle (and occasional 45°) joins. Curves are largely replaced by squared corners, producing boxy counters in letters like O and D and a consistent, grid-like rhythm across the set. Strokes remain even throughout, with open, simplified constructions in forms such as S and G that read as engineered rather than calligraphic. Lowercase echoes the same geometry with compact, squared bowls and minimal terminals, maintaining tight alignment and consistent spacing typical of fixed-width designs.

Works best for interface-style labeling, HUD overlays, and technical graphics where a grid-aligned, machine-made texture is desirable. It can also serve well in short headlines, sci‑fi or cyber-themed titles, and retro-computing treatments, especially when generous tracking or larger sizes help preserve the sharp corners and open shapes.

The overall tone is technical and system-like, evoking bitmap-era interfaces and schematic labeling. Its angular construction and disciplined repetition give it a futuristic, utilitarian feel with a retro-computing edge. The font communicates precision and structure more than warmth or personality.

The design appears intended to translate a strict grid and straight-edge geometry into a readable alphabet, prioritizing consistency, alignment, and a constructed look. It aims to capture a digital/industrial voice while staying clear enough for short passages and on-screen-style presentation.

Distinctive diagonals appear in letters like K, M, N, V, W, X, and Y, adding variety while staying within a rigid geometric logic. Several glyphs lean toward single-storey, simplified forms, and the squared punctuation and numerals reinforce the instrument-panel aesthetic. The uniform set width and consistent internal spacing help text form a steady, mechanical texture.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸