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Stencil Ispi 5 is a very bold, normal width, monoline, upright, normal x-height font visually similar to 'DIN Next', 'DIN Next Arabic', 'DIN Next Cyrillic', 'DIN Next Devanagari', 'DIN Next Paneuropean', and 'DIN Next Stencil' by Monotype; 'Core Gothic D' by S-Core; 'TT Commons™️ Pro' by TypeType; and 'Pulse JP' and 'Pulse JP Arabic' by jpFonts (names referenced only for comparison).

Keywords: posters, headlines, signage, packaging, labels, industrial, utilitarian, tactical, authoritative, rugged, stencil simulation, hard-surface branding, impact display, system labeling, high-contrast, blocky, geometric, mechanical, poster-like.


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A heavy, block-based sans with crisp stencil breaks cut through key joins and counters. Forms are largely geometric with squared terminals, broad vertical stems, and simplified curves, producing a compact, high-impact silhouette. The stencil bridges are consistent and often centered, creating a strong rhythm of vertical and horizontal interruptions across letters and numerals. Round characters like O/C/G/Q show segmented bowls, while diagonals (A, K, N, V, W, X) are sharply cut and angular, keeping the overall texture dense and graphic.

Best suited for large-scale communication such as posters, headlines, signage, packaging, and label-style graphics where the stencil pattern can be read clearly. It also fits thematic branding for industrial, workshop, military-inspired, or sci-fi interfaces where a marked, fabricated look is desired.

The overall tone feels industrial and utilitarian, with a tactical, equipment-marking sensibility. The bold massing and repeated breaks read as assertive and no-nonsense, evoking stenciled paint, labeling, and hard-surface graphics rather than refined editorial typography.

The design appears intended to simulate practical stencil lettering while preserving a bold, contemporary sans structure. Its consistent bridge placement and simplified geometry suggest a focus on reproducible, mark-making aesthetics and strong visual presence in display applications.

The stencil cuts are prominent enough to become a defining pattern at display sizes, and they introduce intentional fragmentation that can reduce clarity at small sizes. Numerals follow the same segmented logic, helping maintain a cohesive, system-like appearance across alphanumerics.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸