Sans Superellipse Tuni 2 is a very bold, very narrow, low contrast, upright, tall x-height font visually similar to 'Dharma Gothic', 'Dharma Gothic Rounded', and 'Dharma Slab' by Dharma Type; 'Ranch Hand JNL' by Jeff Levine; and 'MC Fectron' by Maulana Creative (names referenced only for comparison).
Keywords: posters, headlines, signage, logos, packaging, industrial, poster, vintage, assertive, condensed, space saving, high impact, rugged print, display focus, blocky, compressed, vertical, chunky, inked.
A condensed, heavy sans with tall proportions and compact counters. Strokes stay largely uniform, producing a solid, low-detail texture, while corners and curves read as rounded-rectangle forms rather than true circles. Many glyphs show subtle irregularities along edges and inside joins, giving a slightly worn, inked impression. The rhythm is tight and vertical, with short extenders and an overall stacked, compressed silhouette that keeps word shapes narrow and dense.
Best suited to short, high-impact text such as posters, headlines, signage, and bold wordmarks where condensed width helps fit more characters into limited space. The rugged edge texture also works well for packaging or editorial display that aims for a stamped, industrial, or retro-printed feel.
The font conveys an industrial, utilitarian confidence with a faint vintage grit. Its dense, upright stance feels forceful and attention-getting, with a rugged finish that suggests stamped or printed signage rather than polished corporate typography.
The design appears intended to deliver maximum impact in a narrow footprint, combining blocky, rounded-rectangle construction with a slightly distressed finish. It prioritizes bold legibility and a strong vertical presence over fine detail or delicate contrast.
Uppercase forms are especially tall and compressed, creating strong vertical emphasis in headings. Numerals match the same compact, blocky construction, supporting consistent texture in mixed alphanumeric settings. The slight roughness is visible in both the glyph grid and the sample text, where interior counters and stroke edges appear imperfect in a deliberate way.