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Free for Commercial Use

Sans Normal Ahnoy 2 is a very bold, narrow, low contrast, upright, tall x-height font visually similar to 'Muller Next' by Fontfabric (names referenced only for comparison).

Keywords: headlines, posters, packaging, kids media, branding, playful, punchy, friendly, quirky, retro, attention grabbing, friendly display, retro poster, bold branding, rounded, bulky, compact, bouncy, informal.


Free for commercial use
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This typeface uses dense, heavy strokes with rounded corners and softly inflated bowls, creating a compact, high-impact silhouette. Curves are built from simple, near-circular forms, while joins and terminals stay blunt and clean rather than tapered. The rhythm is slightly irregular in a deliberate way—some glyphs lean on squarer counters or subtly pinched apertures—giving the alphabet a lively, hand-cut feel while remaining clearly constructed. Spacing appears tight and efficient, and the lowercase shows prominent ascenders and a sturdy, blocky presence that holds up well in solid black shapes.

Best suited for display typography where bold presence matters: headlines, posters, packaging, and brand marks that want to feel friendly and energetic. It also works well for kids-oriented design, event graphics, and short callouts where the chunky shapes and rounded forms can carry personality without needing fine detail.

The overall tone is upbeat and approachable, with a bold, cartoonish energy that feels more expressive than neutral. Its rounded massing and slightly bouncy consistency suggest a cheerful, attention-seeking voice suited to lighthearted or character-driven messaging. The look also carries a mild retro sign-painting/poster vibe, trading refinement for warmth and immediacy.

The design appears intended as a characterful display sans that prioritizes instant readability and a cheerful, approachable impact. Its rounded geometry and compact proportions aim to create a strong graphic footprint while keeping the mood informal and fun.

The numerals match the same chunky, rounded construction, staying highly legible at display sizes. Punctuation and dots read as large, simple marks that reinforce the sturdy, graphic personality, and the overall color on the page is strong and even for headlines and short bursts of text.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸