Sans Normal Dobib 2 is a light, normal width, low contrast, upright, normal x-height font visually similar to 'Neue Helvetica', 'Neue Helvetica Arabic', 'Neue Helvetica Armenian', and 'Neue Helvetica Paneuropean' by Linotype; 'M Ying Hei HK' by Monotype HK; 'Europa Grotesk No. 2 SH' by Scangraphic Digital Type Collection; and 'Nimbus Sans Arabic' and 'Nimbus Sans Novus' by URW Type Foundry (names referenced only for comparison).
Keywords: ui text, product design, wayfinding, presentations, branding, clean, modern, neutral, technical, minimal, versatility, legibility, clarity, modernity, geometric, monoline, open apertures, rounded terminals, even rhythm.
A clean, geometric sans with monoline strokes and smoothly rounded curves. Round letters (C, O, Q) read as near-circular with consistent stroke weight, while straighter forms (E, F, H, I, L) are crisp and unembellished. Counters are generous and apertures stay fairly open, supporting clarity in text. Terminals are mostly squared-off with subtle rounding from the drawing, and overall spacing and proportions create an even, measured rhythm across capitals, lowercase, and numerals.
Works well for interface labels, dashboards, and general product typography where clarity and consistency are priorities. It also suits signage and informational layouts thanks to its open shapes and even rhythm, and can support contemporary branding and presentation typography when a neutral, modern impression is desired.
The tone is neutral and contemporary, with a calm, matter-of-fact voice. Its restrained geometry and lack of stylistic quirks give it a practical, system-like feel suited to straightforward communication.
Likely designed as a versatile, general-purpose sans that prioritizes clean geometry and legibility. The consistent stroke behavior and open counters suggest an intention to perform reliably across both display settings and continuous text.
The lowercase shows simple, single-storey constructions (notably the “g”) and a compact, uncomplicated “t,” reinforcing a utilitarian, modern texture. Numerals are straightforward and legible, with curved forms staying smooth and consistent with the letter shapes.