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Distressed Pulav 7 is a very bold, narrow, high contrast, italic, normal x-height font visually similar to 'Armetica' by Hsan Fonts, 'Uniform Italic' by Miller Type Foundry, 'DIN Next' and 'DIN Next Paneuropean' by Monotype, 'RF Rufo' by Russian Fonts, 'Calps Sans' by Typesketchbook, 'Cervino' by Typoforge Studio, and 'Chairdrobe' by XTOPH (names referenced only for comparison).

Keywords: posters, headlines, packaging, album art, event promo, gritty, urgent, raw, vintage, noisy, impact, texture, analog print, handmade feel, attitude, brushy, roughened, inked, compressed, handmade.


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A condensed, heavy italic display face with a forward-leaning stance and compact proportions. Strokes feel brush-driven and pressure-shaped, with tapered joins and occasional wedge-like terminals. Letterforms are intentionally irregular: edges are roughened, counters show speckled voids, and the black shapes have a worn, ink-stamped texture that creates lively rhythm across words. Overall spacing is tight and the silhouette reads dark and punchy, with slight per-glyph variation that reinforces a handmade, distressed print look.

Best suited to bold headlines, poster titles, and attention-grabbing branding where texture is a feature. It can work well on packaging, album/cover graphics, event promotions, and apparel marks, especially when a rugged or retro-printed aesthetic is desired. For longer text, the dense weight and rough texture are likely to be most effective at larger sizes.

The font projects a rugged, loud tone—energetic and slightly aggressive, like improvised signage or a weathered poster. Its texture adds a sense of age and grit, suggesting authenticity and physical ink on paper rather than clean digital precision.

The design appears intended to mimic rough brush lettering and worn print reproduction, combining a condensed italic structure with deliberate erosion and ink breakup. The goal seems to be maximum impact with a tactile, imperfect surface that evokes analog printing and gritty display typography.

The distressed interior speckling and uneven outlines remain consistent across uppercase, lowercase, and numerals, helping the texture feel systematic rather than accidental. The italic slant and compressed widths amplify momentum and impact, making the face most convincing when used in short, emphatic bursts.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸