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Free for Commercial Use

Sans Superellipse Tideg 2 is a very bold, narrow, low contrast, upright, normal x-height font visually similar to 'Laqonic 4F' by 4th february, 'FT Graphitum' by Foxys Forest Foundry, 'Miguel De Northern' by Graphicxell, 'Duotone' by Match & Kerosene, and 'DIN Next' by Monotype (names referenced only for comparison).

Keywords: posters, headlines, packaging, signage, badges, industrial, rugged, retro, posterlike, utilitarian, impact, distressed print, compact display, rugged tone, signage feel, stencil-like, inked, compressed, chunky, blunt.


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A heavy, compressed sans with chunky strokes and rounded-rectangle construction. Corners are broadly softened and counters tend toward squarish ovals, producing a blocky, superelliptic rhythm. The outlines show deliberate roughness—slight waviness and worn edges—suggesting an inked or distressed finish rather than pristine geometry. Terminals are blunt, bowls are compact, and spacing reads tight and efficient, giving the alphabet a dense, punchy texture in text.

Best suited for short, high-impact settings such as posters, headlines, labels, and display typography where texture and weight are assets. It can also work for signage-style graphics and badge marks, especially when a rugged, printed look is desired; for longer passages it will be most effective at larger sizes with generous line spacing.

The font projects a tough, workmanlike attitude with a vintage print-shop feel. Its worn edges and compact forms evoke stamped lettering, DIY posters, and utilitarian signage, balancing friendliness from rounded corners with grit from the distressed contour.

The design appears intended to deliver maximum presence in a compact width while retaining approachable, rounded forms. The distressed edge treatment suggests a purposeful nod to analog printing or stamped lettering, adding character and grit without introducing decorative flourishes.

Uppercase shapes stay simple and monoline in feel, while lowercase forms remain sturdy and compact, with single-storey a and g. Numerals are bold and straightforward, matching the same rounded-block construction and slightly uneven perimeter, which helps maintain a consistent, intentionally imperfect color across mixed text.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸