Sans Superellipse Timeb 6 is a very bold, narrow, low contrast, italic, tall x-height font visually similar to 'Neusa Neu' by Inhouse Type and 'Nimbus Sans L' by URW Type Foundry (names referenced only for comparison).
Keywords: headlines, posters, branding, sports, packaging, assertive, retro, rugged, sporty, punchy, impact, urgency, vintage print, display emphasis, grit, rounded, condensed, slanted, chunky, compact.
A heavy, slanted sans with compact proportions and rounded-rectangle construction in bowls and counters. Strokes stay broadly even, with softened corners and slightly irregular edge behavior that reads like ink spread or a printed texture rather than crisp geometry. The italic angle is consistent across the set, and the forms feel tightly packed with short apertures and sturdy joins, creating a dense, blocky rhythm. Numerals match the letters in weight and footprint, with simple, bold silhouettes built for impact.
Best suited to headlines and short, high-impact copy where its dense weight and slanted motion can carry the message—posters, sports graphics, bold branding, and packaging. It can work in brief text bursts or pull quotes, but the compact apertures and heavy color suggest using generous tracking and avoiding long passages at small sizes.
The overall tone is forceful and energetic, with a retro advertising and sports-poster attitude. The subtle roughness adds grit and immediacy, keeping the face from feeling sterile despite its simplified, rounded construction. It projects confidence and urgency—more shout than whisper.
Designed to deliver maximum visual punch in a compact, forward-leaning silhouette, combining rounded, simplified shapes with a touch of rough print character. The intent appears to be strong display performance with an energetic, vintage-leaning voice.
Round letters like O/C/G and the bowls of B/P/R emphasize superelliptical curves, while terminals are blunt and slightly tapered by the slant. The texture becomes more noticeable at larger sizes, where the uneven edges read as intentional distress rather than rendering artifact.