Sans Normal Akkos 10 is a regular weight, normal width, monoline, upright, normal x-height font visually similar to 'Agenor', 'Geometos Neue', and 'Geometos Soft' by Graphite (names referenced only for comparison).
Keywords: ui text, branding, editorial, wayfinding, presentations, modern, neutral, clean, friendly, corporate, versatility, clarity, neutrality, modernity, geometric, rounded, crisp, balanced, open.
A clean geometric sans with circular bowls, open apertures, and largely uniform stroke weight. Uppercase forms are broad and steady with confident verticals and rounded counters; the round letters (O, C, G, Q) read as near-circular with smooth joins. Lowercase follows a simple, contemporary construction with a double-storey “a,” a single-storey “g,” and compact, functional terminals; punctuation and numerals match the same straightforward, even rhythm. Overall spacing feels generous and consistent, producing an orderly texture in paragraph settings.
This face suits product UI, dashboards, and general on-screen typography where clarity and a steady rhythm are needed. It also works well for brand systems, marketing materials, and editorial layouts that want a modern, approachable sans without strong stylistic bias. The clean numerals make it suitable for data-light infographics and informational signage.
The tone is modern and understated, leaning practical rather than expressive. Its rounded geometry adds a mild friendliness, while the crisp, no-nonsense detailing keeps it professional and matter-of-fact.
The design appears intended as a versatile geometric sans that prioritizes clarity, consistency, and broad usability. Its restrained shapes and balanced proportions suggest a workhorse role for contemporary communication across digital and print environments.
Diagonal forms (V, W, X, Y, Z) are clean and sharply resolved without decorative cuts, and curved letters maintain smooth, regular curvature. Numerals appear clear and contemporary, with a balanced mix of rounded and angled shapes suited to general interface and editorial contexts.