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Free for Commercial Use

Sans Normal Ofmul 2 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Blocksta' by AVP, 'Hanley Pro' by District 62 Studio, 'Mitram' by JAM Type Design, 'Almarose' by S&C Type, and 'Artine' by SimpleType Studios (names referenced only for comparison).

Keywords: headlines, posters, packaging, kids, branding, playful, friendly, punchy, casual, quirky, attention, approachability, humor, informality, impact, rounded, soft, chunky, bouncy, cartoonish.


Free for commercial use
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A very heavy, rounded sans with compact counters and softened corners throughout. Forms lean on broad circular and oval construction, with short, sturdy terminals and a slightly uneven, hand-cut rhythm that keeps strokes from feeling purely geometric. Proportions are lively and irregular in places—curves swell, joins feel chunky, and some diagonals and bowls show subtle asymmetry—while overall spacing stays straightforward and bold. Numerals match the same chunky build, with simplified, high-impact shapes designed for strong silhouette recognition.

Best suited to headlines, short blurbs, posters, packaging, and expressive branding where a friendly, high-impact tone is needed. It also works well for children’s products, event promos, stickers, and social graphics where bold readability and personality matter more than extended-text comfort.

The font reads upbeat and approachable, with a comedic, kid-friendly energy. Its bouncy shapes and chunky weight give it a confident, attention-grabbing voice that feels informal and warm rather than corporate or technical.

The design appears intended to provide a robust, rounded display voice that stays legible while projecting humor and friendliness. Its slightly quirky, handmade-like rhythm suggests it aims to feel personable and energetic rather than strictly geometric or neutral.

At display sizes it maintains strong presence and clear silhouettes, while the tight counters and dense black areas can make long paragraphs feel heavy. The irregularity is consistent enough to feel intentional, adding character without turning into novelty distortion.

120px
108px
96px
84px
72px
64px
56px
48px
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Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸