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Free for Commercial Use

Bubble Mypo 6 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Linotte' by JCFonts, 'Cobbler' and 'Cobbler Sans' by Juri Zaech, 'Mohr Rounded' by Latinotype, 'Hupaisa' by Melvastype, 'Core Sans AR' by S-Core, and 'Mister London' by Sarid Ezra (names referenced only for comparison).

Keywords: kids branding, packaging, posters, stickers, headlines, playful, friendly, cartoony, bouncy, cheerful, be approachable, feel handmade, max impact, add humor, look soft, rounded, soft, puffy, blobby, chunky.


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A very heavy, rounded display face with puffed, blobby contours and generously softened corners throughout. Strokes stay broadly consistent in thickness, with minimal modulation and a slightly irregular, hand-shaped feel that keeps the rhythm lively. Counters are small and often asymmetrical, and joins/terminals tend to swell into bulbous ends, giving letters a plush silhouette. The overall texture reads dense and inky, with wide curves and compact interior spaces that favor impact over fine detail.

Ideal for short display text where warmth and immediacy matter: kids’ titles, playful logos, snack and candy packaging, event posters, social graphics, and sticker-style merch. It also suits expressive pull quotes or section headers when you want a soft, comic emphasis. For longer passages, larger point sizes and added spacing help maintain clarity.

The font projects a humorous, approachable tone—like toy packaging or kids’ media—mixing cuteness with a bold, attention-grabbing presence. Its bubbly shapes feel informal and conversational, suggesting fun, snacks, parties, and lighthearted branding rather than seriousness.

The design appears intended to deliver maximum friendliness and impact through inflated, rounded forms and a slightly uneven, handmade rhythm. It prioritizes character and charm over strict geometric precision, aiming for a bold, cartoon-like voice that stands out quickly in headlines.

Because the letterforms are so filled-in with tight counters, it performs best when given breathing room: larger sizes, slightly increased tracking, and clear contrast against the background. The irregularity is subtle but consistent enough to feel intentionally hand-formed, helping avoid a purely geometric look.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸