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Free for Commercial Use

Sans Normal Imdoj 2 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Oktah Round' by Groteskly Yours, 'Linotte' by JCFonts, 'JAF Domus Titling' by Just Another Foundry, and 'Mohr Rounded' by Latinotype (names referenced only for comparison).

Keywords: headlines, posters, packaging, kids branding, signage, playful, friendly, bubbly, cheerful, chunky, approachability, impact, simplicity, display, rounded, soft, blunt terminals, compact, cartoonish.


Free for commercial use
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This typeface features heavy, rounded letterforms with soft corners and broadly uniform stroke weight. Curves are built from plump circular and elliptical shapes, while joins and terminals end in blunt, smoothly radiused cuts that keep the texture gentle rather than sharp. Counters are relatively tight for the weight, giving a compact, ink-rich color, and the overall rhythm feels sturdy and even across lines. The lowercase shows simple, single-storey structures and a straightforward, highly simplified construction that prioritizes bold silhouettes over fine detail.

It works best for short, high-impact text such as headlines, posters, titles, and bold callouts where its rounded mass can carry personality. The friendly forms suit playful branding, packaging, event graphics, and signage that benefits from quick recognition and a welcoming tone.

The overall tone is warm and approachable, with a buoyant, cartoon-like friendliness. Its inflated shapes and soft endings read as casual and optimistic, leaning toward fun, kid-friendly communication rather than formal or technical contexts.

The design appears intended to deliver maximum friendliness and visibility through rounded geometry and simplified shapes, creating a bold, approachable voice. Its emphasis on soft terminals and compact counters suggests a focus on upbeat display typography rather than extended reading.

The numerals and punctuation match the same rounded, heavy geometry, producing consistent texture in mixed settings. At smaller sizes the tight counters and dense strokes may visually fill in, while at larger sizes the soft curves and chunky proportions become a clear stylistic feature.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸