Sans Superellipse Jikam 3 is a very bold, wide, low contrast, upright, normal x-height font.
Keywords: posters, headlines, packaging, kids media, stickers, playful, quirky, comic, lively, chunky, display impact, playful branding, comic tone, handmade feel, attention grabbing, rounded corners, irregular rhythm, tilted stress, compact counters, blocky.
A heavy, rounded-rectangular sans with softened corners and squarish bowls that feel built from chunky blocks. Strokes are broadly even, with minimal modulation, and the forms show a deliberately irregular, hand-cut rhythm—slight leans, wobbly baselines, and uneven widths that keep the texture animated. Counters tend to be compact and boxy (notably in O, P, R, a, e), while joins and terminals are blunt and simplified for a bold, poster-ready silhouette. Numerals follow the same blocky construction, reading clearly with a consistent, sturdy weight.
Best suited for short, high-impact settings where personality matters: posters, headlines, packaging, labels, and playful branding. It also works well for titles in children’s content, comic-style graphics, and attention-grabbing social or merch typography, while extended reading passages may feel visually busy due to the lively rhythm.
The overall tone is energetic and humorous, with a friendly clumsiness that suggests cartoons, kids’ media, or casual display work. Its bouncy spacing and subtly off-kilter shapes add personality and motion, trading formal polish for approachability and fun.
The design appears intended as a bold, approachable display face that merges rounded-rectangle geometry with a hand-made, slightly chaotic cadence. It prioritizes immediate impact and character over strict typographic regularity, creating a fun, energetic texture at larger sizes.
The uppercase set reads especially punchy and geometric, while the lowercase introduces more distinctive, characterful shapes (single-storey a and g, compact e) that enhance the informal feel. The texture becomes more pronounced in longer text because of the varying letter widths and the intentionally uneven alignment.