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Free for Commercial Use

Serif Humanist Amba 14 is a regular weight, normal width, high contrast, upright, short x-height font visually similar to 'Goudy Serial' by SoftMaker and 'TS Goudy' by TypeShop Collection (names referenced only for comparison).

Keywords: book text, editorial, literary fiction, magazines, branding, classic, literary, refined, warm, scholarly, readability, tradition, editorial tone, elegance, authority, bracketed, flared, calligraphic, old-style, bookish.


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This typeface shows an old-style serif structure with bracketed, gently flared serifs and clearly modulated strokes that create a crisp, high-contrast texture. Curves are round and open, with a slightly humanist, calligraphic handling at joins and terminals rather than purely geometric construction. Uppercase forms feel stately and even, while the lowercase features compact proportions and a relatively small x-height, giving the text a traditional vertical rhythm. Numerals are proportional and text-like, blending smoothly with running copy rather than standing out as strictly tabular figures.

It suits book typography, long-form editorial layouts, and publication design where a classical serif voice is desired. The strong uppercase forms also work well for headings, pull quotes, and refined branding applications that benefit from a traditional, authoritative feel.

Overall it reads as classical and literary, with a poised, book-oriented tone. The sharpness of the contrast and the clean serif finishing add formality, while the subtly calligraphic curves keep it approachable and human. It suggests tradition, credibility, and editorial polish.

The design appears intended to deliver a traditional reading experience with a warm, humanist character, pairing formal serif detailing with calligraphic modulation for comfortable, elegant text. Its proportions and contrast aim to communicate heritage and seriousness while staying readable and composed in continuous copy.

The sample text shows a steady, composed color in paragraphs, with clear differentiation between similar shapes (notably the distinct uppercase forms and a two-storey-style ‘g’ presence in the lowercase set). Capitals have a dignified presence suited to titling, while the lowercase maintains a measured cadence that favors longer-form reading.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸