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Free for Commercial Use

Sans Contrasted Igry 3 is a very bold, wide, very high contrast, upright, normal x-height font.

Keywords: posters, headlines, branding, packaging, album covers, editorial, dramatic, retro, stylish, assertive, impact, distinctiveness, display, stylization, word-shape, crisp, angular, geometric, sculptural, high-contrast.


Free for commercial use
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A heavy, high-contrast display face built from bold geometric masses paired with sharply thinned joins and cut-ins. Many forms read as constructed from rectangles, wedges, and near-circular bowls, with tight apertures and frequent triangular or vertical notches that create strong internal counters. Curves are clean and taut, while terminals often end in blunt, squared cuts; diagonals (notably in V/W/X/Y) are broad and graphic. Proportions vary noticeably across characters, producing an uneven, poster-like rhythm where some glyphs feel condensed and others more expansive, and the overall texture alternates between dense black blocks and slender connecting strokes.

Best suited to large-scale typography where its sculpted contrast and bold silhouettes can carry the layout—headlines, poster titles, brand marks, packaging, and short editorial callouts. It can also work for logos or wordmarks where distinctive letterforms and memorable negative space are desired.

The tone is theatrical and attention-grabbing, combining modern geometric confidence with a hint of vintage signage and editorial flair. The extreme light–dark interplay gives it a punchy, stylized voice that feels designed to be seen at size rather than to disappear into body text.

The design appears aimed at delivering maximal impact through a constructed, high-contrast silhouette system—mixing solid, blocky strokes with razor-thin connections and deliberate cutouts to create a signature, display-first texture.

Counters are often idiosyncratic (e.g., split or off-center interiors in rounded letters and numerals), and several glyphs use deliberate cutouts that can create striking word-shapes but also increase sparkle and visual noise at smaller sizes. Numerals are similarly sculpted, with distinctive bowls and sharp interior voids that reinforce the font’s graphic personality.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸