Sans Normal Akraz 5 is a bold, normal width, monoline, upright, normal x-height font visually similar to 'FF Infra' by FontFont, 'Urania' by Hoftype, 'Reyhan' by Plantype, 'SK Reykjavik' by Salih Kizilkaya, and 'Genera' and 'Genera Grotesk' by Wahyu and Sani Co. (names referenced only for comparison).
Keywords: headlines, branding, posters, signage, ui labels, modern, friendly, clean, confident, neutral, impact, clarity, contemporary branding, geometric simplicity, consistency, geometric, rounded, high contrast, sturdy, compact.
This typeface is a solid, heavy sans with largely geometric construction and rounded curves. Strokes appear consistently thick with minimal modulation, producing dense letterforms and a strong, even texture in text. Counters are relatively compact and apertures tend to be more closed, which increases color and presence at display sizes. Terminals are mostly clean and squared-off, while round letters keep smooth circular bowls; diagonals and joins read crisp and stable, giving the set a controlled, contemporary feel.
It performs best where strong emphasis and immediate legibility are needed, such as headlines, branding wordmarks, posters, and signage. The sturdy shapes and even stroke weight also suit UI labels, buttons, and short-form interface text where clarity and impact matter more than light, airy color.
The overall tone is modern and approachable, with a friendly softness in the curves balanced by a confident, no-nonsense weight. It feels utilitarian in a good way—clear and direct—while still reading as contemporary and brand-ready rather than purely industrial.
The design appears intended as a contemporary, geometric-forward sans that prioritizes impact, clarity, and consistency. Its compact counters and confident weight suggest a focus on display and brand applications, delivering a strong typographic presence without decorative flourish.
In the sample text, the heavy weight creates a strong rhythm and prominent word shapes, but the tight counters and closed apertures can make long passages feel dense. Numerals follow the same robust, geometric logic, matching the uppercase for a cohesive, assertive typographic voice.