Script Kedaj 4 is a regular weight, very narrow, high contrast, upright, very short x-height font.
Keywords: wedding, invitations, branding, packaging, headlines, elegant, formal, romantic, refined, whimsical, formal script, calligraphic display, decorative caps, signature feel, occasion stationery, calligraphic, looped, flourished, monoline accents, delicate.
A flowing script with tall, slender proportions and pronounced thick–thin contrast. Strokes alternate between hairline entry/exit swashes and weightier main stems, creating a lively handwritten rhythm. Letterforms feature generous loops, curled terminals, and occasional extended ascenders/descenders; joins are smooth but not uniformly continuous, giving it a hand-drawn, slightly personalized cadence. Uppercase characters are especially ornate with long lead-in strokes and decorative caps, while the lowercase stays compact with a notably short x-height and frequent teardrop-like counters.
Well suited to wedding suites, event invitations, certificates, and other formal stationery where flourished capitals can shine. It also works for boutique branding, cosmetic or confectionery packaging, and short headlines or pull quotes that benefit from a calligraphic voice. For longer text, it is likely best in short passages or larger sizes where the fine hairlines remain clear.
The overall tone is polished and expressive, leaning toward classic stationery calligraphy rather than casual brush writing. Its flourishes add a touch of romance and ceremony, while the narrow build and crisp contrast keep it feeling neat and upscale. The playful curls in several capitals introduce a mild whimsy without breaking the formal mood.
Designed to emulate formal hand lettering with dramatic capitals and graceful loops, balancing ornamental swashes with readable lowercase forms. The intent appears focused on elegant display typography for occasions and branding where a refined, personal signature-like feel is desired.
Spacing appears airy in display settings, and the exaggerated capitals can dominate a line when mixed with lowercase. Numerals follow the same calligraphic logic, with varied widths and curled terminals that make them feel decorative rather than utilitarian.