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Serif Humanist Gyvi 3 is a regular weight, normal width, high contrast, upright, normal x-height font.

Keywords: book text, editorial, magazines, literary titles, branding, literary, classic, warm, scholarly, traditional, readability, classic tone, text texture, editorial voice, heritage feel, bracketed, old-style, calligraphic, modulated, open counters.


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This serif typeface shows calligraphic modulation with clearly bracketed serifs and a lively stroke rhythm. Curves are full and slightly asymmetric in places, giving the forms an old-style texture rather than rigid geometric construction. Capitals are sturdy and well-proportioned with moderate contrast and confident, tapering terminals; the Q has a distinctive sweeping tail. Lowercase letters keep a readable, bookish cadence, with compact, rounded bowls (a, b, p) and softly angled joins (m, n), plus a two-storey g and a gently earred, open e. Numerals follow the same modulated logic, with old-style-like shaping and varied widths that maintain an even color in text.

Well-suited to long-form reading such as book interiors, essays, and editorial layouts where a traditional serif voice is desired. It also performs convincingly in headings and pull quotes, offering a classic, literary tone for publishing, cultural institutions, and brand systems that want warmth with authority.

The overall tone feels established and cultivated, with a warm, human presence typical of text faces rooted in broad-nib and handwriting influence. It reads as calm and trustworthy, lending an editorial, classical atmosphere without becoming ornate or overly formal.

The design appears intended to balance classical text-serif conventions with a slightly lively, human rhythm, prioritizing comfortable readability while retaining character in display settings. Its bracketing, modulation, and open forms suggest an aim for an enduring, print-friendly voice that feels familiar and dependable.

In the sample text, spacing and letterfit support continuous reading, producing an even typographic color with a subtly textured surface from the contrast and bracketing. Diagonals (V, W, y) and cross strokes (t, f, F) are crisp and decisive, while rounded forms remain generous, helping maintain clarity at display sizes.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸