Sans Normal Uhber 9 is a regular weight, normal width, medium contrast, upright, normal x-height font visually similar to 'Epoca Classic' by Hoftype, 'Big Vesta' and 'Dialog' by Linotype, 'Koning Display' by LucasFonts, 'Skeena' by Microsoft Corporation, 'Organic Pro' by Positype, 'Reba Samuels' by Samuelstype, and 'Foundry Form Sans' by The Foundry (names referenced only for comparison).
Keywords: ui text, body copy, forms, signage, editorial, clean, modern, neutral, friendly, functional, everyday utility, readability, versatility, clarity, grotesque, open counters, rounded terminals, humanist touch, even rhythm.
This sans serif shows a clean, contemporary construction with smooth, mostly circular curves and restrained stroke modulation. Uppercase forms are straightforward and stable, with a fairly uniform vertical stress and rounded joins; counters are open and shapes avoid sharp quirks. The lowercase balances clarity and simplicity, with a two-storey “a” and compact, workmanlike forms, while ascenders and descenders are kept tidy for an even line. Numerals follow the same plainspoken geometry, reading clearly at text sizes with consistent stroke endings and steady spacing.
It suits interface typography, product copy, and general-purpose editorial settings where a neutral, legible sans is needed. Its straightforward letterforms also make it a solid choice for forms, instructions, captions, and wayfinding-style signage at moderate sizes.
The overall tone is neutral and dependable, with a mild friendliness coming from its rounded curves and unforced proportions. It feels modern and utilitarian rather than expressive, projecting clarity and straightforwardness in continuous reading.
The design appears intended as a versatile, no-nonsense sans serif that prioritizes readability and a consistent typographic color. Its restrained detailing and open shapes suggest a focus on broad usability across both headlines and running text without drawing attention to itself.
Round characters like C, G, O, and Q emphasize smooth circularity, while diagonals in V, W, X, and Y are crisp and well-behaved, giving the face a balanced rhythm across mixed text. The sample text suggests consistent color on the page and good separation between similarly shaped letters.