Sans Superellipse Afgon 17 is a light, normal width, low contrast, upright, tall x-height font.
Keywords: ui design, app interfaces, product design, wayfinding, dashboards, modern, technical, clean, friendly, ui clarity, geometric branding, approachable modernism, system consistency, rounded, geometric, monoline, open, minimal.
A clean geometric sans with monoline strokes and rounded-rectangle construction throughout. Curves resolve into soft, squared corners, giving bowls and counters a superellipse feel rather than true circles. Proportions are compact and efficient, with a notably tall lowercase presence and short extenders, while apertures stay open for clarity. Terminals are consistently rounded and the overall rhythm is even, with simple, utilitarian shapes in both letters and numerals.
Well suited to interface typography, dashboards, and product branding where a clean, rounded geometric voice supports legibility at small-to-medium sizes. It can also work for signage and wayfinding systems that benefit from open forms and consistent stroke behavior. In editorial contexts it fits best as a contemporary sans for headings, captions, and short passages.
The tone is modern and practical with a subtle friendliness from the softened corners. It reads as straightforward and technical rather than expressive, suggesting contemporary UI and product typography. The rounded geometry adds approachability without becoming playful.
The design appears intended to blend neutral readability with a distinctive superellipse geometry, delivering a contemporary sans that feels engineered but not harsh. Its consistent rounding and compact proportions suggest a focus on clarity in digital environments and on-brand cohesion across text and numerals.
Uppercase forms skew toward constructed geometry (e.g., squared shoulders and rounded corners), while lowercase maintains a restrained, functional look. Numerals follow the same rounded-rect logic, with clear, open forms suited to quick scanning. The design keeps a consistent corner radius across the set, which helps it feel cohesive in longer passages.