Sans Superellipse Afmaz 15 is a light, normal width, low contrast, upright, tall x-height font visually similar to 'Sui Generis' by Typodermic (names referenced only for comparison).
Keywords: ui, product design, signage, dashboards, branding, modern, clean, neutral, technical, friendly, ui clarity, geometric consistency, approachable modernity, systematic design, rounded corners, monolinear, open apertures, squared rounds, soft geometry.
A geometric sans built from rounded-rectangle and superellipse logic, with smooth curves and noticeably softened corners throughout. Strokes are largely monolinear, and the overall construction favors clear, open counters and wide apertures, producing an even, steady texture in text. Round letters like C, O, and Q read as squarish ovals, while straight strokes terminate with subtly rounded ends that keep joins crisp but not sharp. Numerals and capitals follow the same consistent geometry, giving the set a cohesive, system-like rhythm.
It performs well in interface typography, app and web UI, dashboards, and wayfinding where clarity and consistent geometry matter. The clean outlines and rounded-corner construction also make it a strong choice for contemporary branding, packaging, and headings that need a modern but approachable feel.
The tone is contemporary and quietly friendly, balancing a technical, UI-oriented precision with softened geometry that avoids feeling cold. Its squarish rounds and calm stroke behavior suggest a modern, utilitarian voice suited to interfaces and product communication.
The design appears intended to translate a superellipse/rounded-rectangle geometry into a practical, readable sans for screens and systems. It prioritizes consistent construction, open forms, and a controlled rhythm to deliver a modern, versatile voice across headings and running text.
Distinctive “squared-round” bowls are especially evident in O/Q and in the rounded shoulders of lowercase forms, creating a recognizable silhouette at both display and text sizes. The overall spacing and proportions aim for clarity and stability rather than expressiveness or calligraphic nuance.