Slab Square Erzi 2 is a very bold, very wide, medium contrast, upright, tall x-height font.
Keywords: posters, headlines, signage, branding, packaging, western, assertive, playful, retro, rugged, impact, vintage display, distinctiveness, robust legibility, blocky, chunky, bracketless, ink-trap cuts, high impact.
A heavy, block-built slab serif with broad proportions and a tall x-height. Strokes are thick and mostly monolinear, with square-cut slab serifs and flat terminals that create a compact, poster-like texture. Many joins and counters show small angular cut-ins (ink-trap-like notches) that add sharpness and help keep apertures readable at this weight. Curves are strongly squared-off and softened only slightly, giving rounds like O/C/S a robust, machined feel. Numerals and capitals read sturdy and uniform, while lowercase maintains substantial width and dark color for continuous text at display sizes.
Works best for short, high-impact copy such as posters, headlines, event graphics, product packaging, and bold wordmarks where its slab structure and notched detailing can be appreciated. It can also serve in large-format signage or title treatments that need a strong, vintage-leaning presence, while long passages will typically require careful spacing and generous line height.
The overall tone is bold and declarative, with a western/woodtype flavor that feels vintage and attention-grabbing. The notched details introduce a playful, slightly mischievous edge, balancing toughness with character. It suggests signage, headlines, and branding that want to feel confident, extroverted, and a bit nostalgic.
Designed to deliver maximum impact with a stout slab-serif framework and wide, blocky proportions, likely echoing classic display and woodtype-inspired lettering. The angular cut-ins appear intended to preserve clarity at extreme weight while adding a distinctive, crafted signature. Overall, it aims to be immediately legible and highly recognizable in display settings.
Spacing appears generous for the mass of the letterforms, but the weight produces a very dark line in paragraphs; it benefits from ample leading and larger sizes. The distinctive notches become a key identifying feature, especially in diagonals and at inner corners, giving the face a stamped or cut-letter impression.