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Free for Commercial Use

Distressed Seda 11 is a very bold, normal width, high contrast, upright, normal x-height font visually similar to 'Averta PE' by Intelligent Design, 'Madani' and 'Madani Arabic' by NamelaType, and 'Santral' by Taner Ardali (names referenced only for comparison).

Keywords: posters, headlines, packaging, stickers, apparel, playful, bold, gritty, handmade, casual, add texture, analog feel, poster impact, casual warmth, diy character, rounded, blobby, chunky, textured, soft corners.


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A heavy, rounded sans with chunky proportions and broadly monolinear stems, enlivened by distressed texture and irregular edges that mimic worn ink or rough printing. Counters are generally open and circular, terminals are softly squared, and curves are slightly lumpy, giving the letterforms a hand-rendered, organic rhythm. The uppercase reads compact and sturdy, while the lowercase stays simple and friendly, with single-storey forms and minimal detailing. Numerals follow the same sturdy construction, with visible surface roughness that keeps the overall color lively and imperfect.

Best suited to display settings such as posters, event flyers, packaging, labels, stickers, and apparel graphics where bold shapes and a tactile, imperfect finish enhance the message. It can also work for short brand statements or section headers, especially when paired with cleaner body text for contrast.

The overall tone is energetic and approachable, with a rugged, tactile feel that suggests DIY craft, street-level poster work, or playful retro packaging. Its friendly roundness keeps it from feeling aggressive, while the worn texture adds attitude and authenticity.

The design appears intended to deliver high-impact readability with a deliberately worn, handmade surface, evoking inked signage and rough print processes. It prioritizes personality and texture over clinical uniformity, aiming for warmth, immediacy, and visual punch.

The texture appears baked into the shapes rather than applied as a separate effect, so the distressing remains consistent across glyphs and sizes. Large, solid masses and simplified joins favor impact over precision, making the face strongest where a rough, analog look is desired.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸