Sans Superellipse Jidab 2 is a very bold, normal width, monoline, upright, normal x-height font visually similar to 'Leco 1976' by CarnokyType, 'Evanston Tavern' by Kimmy Design, and 'Stallman' and 'Stallman Round' by Par Défaut (names referenced only for comparison).
Keywords: headlines, posters, logos, game ui, packaging, techno, industrial, futuristic, gaming, retro, impact, modularity, tech aesthetic, signage, rounded corners, squared bowls, stencil-like, chunky, geometric.
A heavy, geometric sans built from squared forms with generously rounded corners and largely uniform stroke weight. The shapes favor rectangular counters and cut-in notches over smooth ovals, producing a crisp, engineered silhouette. Terminals are mostly straight and flat, curves resolve into superellipse-like corners, and joins stay tight and compact for a dense, blocky rhythm. The lowercase follows the same modular construction, with squarish bowls (a, b, d, e) and sturdy, simplified stems and arms (t, r, f). Figures are similarly boxy and wide-set, with squared counters in 0/8/9 and angular construction in 2/4/7.
Well-suited to short, high-impact text such as headlines, poster titles, brand marks, and product labels where a strong geometric voice is desired. It also fits interface-style typography for games, dashboards, and sci‑fi/tech themes, especially when set with generous spacing or at larger sizes for clarity.
The overall tone feels mechanical and game-adjacent—confident, utilitarian, and slightly retro-futurist. Its squared geometry and rounded-rectangle logic evoke interfaces, sci‑fi labeling, and industrial signage rather than editorial warmth.
The letterforms appear intended to translate a rounded-rectangle grid into a readable, modern display alphabet—prioritizing a bold, modular look with consistent corner treatment and minimal stroke modulation for a clean, engineered presence.
The design leans on consistent corner radii and deliberate interior cutouts, which creates a subtle stencil/screen feel in several letters and numerals. The bold mass and compact apertures suggest best results at display sizes where the interior shapes stay clear.