Sans Superellipse Jidek 9 is a very bold, normal width, monoline, upright, normal x-height font visually similar to 'Febrotesk 4F' by 4th february, 'Ft Thyson' by Fateh.Lab, 'Pierce Jameson' by Grezline Studio, 'Gemsbuck Pro' by Studio Fat Cat, 'Octin College' by Typodermic, and 'Winner Sans' by sportsfonts (names referenced only for comparison).
Keywords: headlines, posters, logotypes, packaging, signage, techy, industrial, retro, bold, utilitarian, impact, modularity, clarity, tech aesthetic, industrial branding, squared, rounded corners, compact, blocky, stencil-like counters.
A heavy, geometric sans built from squared, rounded-rectangle forms with consistent stroke thickness and crisp terminals. Curves are minimized and corners are softly radiused, producing superellipse-like bowls and counters (notably in O, D, 0, and 8). Proportions are compact with a steady vertical rhythm; many characters use straight-sided construction and tight interior apertures, giving the alphabet a dense, punchy silhouette. Figures and capitals feel especially modular, with angular joins and simplified diagonals that keep the overall texture uniform in display sizes.
Best suited to high-impact headlines, branding, and short bursts of text where its blocky geometry can read clearly. It also fits packaging, signage, and UI/label-style applications that benefit from a sturdy, engineered look, while longer paragraphs may feel dense due to the compact apertures.
The tone is assertive and mechanical, evoking technology, equipment labeling, and late-20th-century digital or arcade aesthetics. Its squared softness reads both tough and approachable, balancing a futuristic edge with a retro, engineered familiarity.
The design appears intended to deliver a robust, modular voice with rounded-square geometry—prioritizing strong presence and consistent texture. It aims for a tech-forward, industrial feel that remains friendly through softened corners and simplified, repeatable shapes.
Several glyphs emphasize rectangular counters and notch-like cut-ins, which increases character differentiation but can reduce openness in smaller settings. The overall design favors strong shapes and even color over delicate detail, making it visually stable and highly graphic.