Print Odleb 6 is a bold, normal width, low contrast, italic, short x-height font.
Keywords: posters, packaging, branding, headlines, social media, playful, casual, friendly, retro, lively, handmade feel, informal display, approachable tone, energetic emphasis, brushy, slanted, rounded, soft terminals, bouncy baseline.
A bold, slanted handwritten print with thick, low-contrast strokes and softly rounded terminals. Letterforms show a brush-pen feel, with gentle swelling at curves and tapered joins that keep edges from looking mechanical. Proportions are compact with relatively short lowercase bodies, while ascenders and descenders add a lively vertical rhythm. The spacing and widths vary slightly from glyph to glyph, creating an energetic, hand-drawn texture that remains consistent and legible at display sizes.
This font works well for posters, packaging, and branding that needs a friendly, handmade voice. It’s especially effective for short headlines, callouts, menu items, and social media graphics where bold, casual lettering should feel personal and energetic. Pair it with a restrained sans or simple serif for supporting text to maintain clarity.
The overall tone is upbeat and informal, with a cheerful, approachable personality. Its bouncy rhythm and soft, brushy shapes suggest spontaneity and warmth, leaning toward a nostalgic, mid-century sign-painting or casual script-adjacent feel without connecting strokes.
The design appears intended to emulate confident, hand-lettered brush writing in an unconnected print style, prioritizing warmth and immediacy over strict geometric regularity. Its compact lowercase and expressive stroke behavior aim to deliver strong impact and a human touch in display typography.
Capitals are simplified and sturdy, designed to read quickly with broad counters and smooth curves. Numerals share the same forward-leaning, brushy construction, with rounded forms that match the letterforms well in mixed settings. The slant and dense stroke weight give it strong presence, making it better suited to headlines than long passages.