Sans Superellipse Fomes 5 is a bold, normal width, low contrast, italic, normal x-height font visually similar to 'Midsole' and 'Midsole SC' by Grype, 'Refinery' by Kimmy Design, 'Navine' by OneSevenPointFive, 'Sans Beam' by Stawix, and 'Metral' by The Northern Block (names referenced only for comparison).
Keywords: sports branding, racing graphics, tech branding, gaming ui, product logos, sporty, techy, dynamic, futuristic, assertive, impact, speed, modernity, cohesion, legibility, rounded corners, squared bowls, oblique, wide stance, compact counters.
A heavy, oblique sans with rounded-rectangle construction and softly clipped corners throughout. Curves resolve into squared bowls and superelliptical counters, giving letters like O, D, and Q a geometric, streamlined feel. Strokes are monolinear and sturdy, with broad joins and minimal modulation; terminals often end in angled cuts that reinforce forward motion. The lowercase is compact and mechanical in rhythm, with single-storey a and g, a flat-topped t, and a square dot on i/j; numerals follow the same rounded-square logic with open, legible shapes.
Best suited to headlines, logos, team marks, esports identities, and packaging where a strong, kinetic presence is needed. It also works well for short UI labels, dashboards, and title cards that benefit from a geometric, forward-leaning voice.
The overall tone is fast, engineered, and performance-oriented, reading like a contemporary display face for motion, speed, and precision. Its oblique posture and squared curves evoke motorsport, sports branding, and sci‑fi interface typography without feeling decorative.
Likely designed to deliver a high-impact, speed-coded sans that stays cohesive across uppercase, lowercase, and numerals by using a consistent rounded-rectangle geometry and angled terminals for motion.
The texture is dense and punchy in running lines, with generous internal rounding that keeps the heavy weight from clogging. The slant and angled terminals create a consistent directional rhythm, while the rounded-square counters keep the voice geometric and controlled.