Sans Other Asbop 2 is a bold, wide, monoline, upright, normal x-height font visually similar to 'JollyGood Proper' and 'JollyGood Sans' by Letradora (names referenced only for comparison).
Keywords: posters, headlines, packaging, kids, logotypes, playful, chunky, quirky, friendly, bouncy, display impact, friendly tone, handmade feel, brand voice, rounded, soft corners, cartoonish, hand-cut, irregular.
A heavy, high-impact sans with simplified geometry and softly rounded corners. Strokes stay largely even in thickness, while many terminals are angled or wedge-like, giving the outlines a cut-paper, slightly hand-made feel. Counters are open and roundish (notably in O, P, R, e), and joins are sturdy and uncluttered, prioritizing bold silhouette over precision. Overall spacing and widths feel intentionally uneven, creating a lively rhythm rather than a rigid, engineered texture.
Best suited to display applications where a strong, friendly voice is needed—posters, headline systems, event flyers, packaging callouts, and brand marks. It can also work for short bursts of UI or signage text when an informal, attention-grabbing tone is desired, but its playful irregularity is most effective at larger sizes.
The letterforms read cheerful and informal, with a buoyant, slightly mischievous tone. The irregular angles and softened shapes lend a handmade, cartoon-title energy that feels approachable and upbeat rather than corporate or austere.
The design appears intended to deliver an approachable, high-visibility sans that feels handcrafted and characterful. Its consistent stroke weight and simplified, rounded construction suggest a focus on bold readability and a distinctive, upbeat personality for branding and display typography.
Uppercase forms tend toward broad, simple constructions with pronounced diagonals (A, K, V, W, X, Y), while lowercase keeps single-storey shapes and compact bowls that stay legible at display sizes. Numerals are similarly robust and rounded, designed to hold their shape under bold setting and tight compositions.