Sans Superellipse Akro 2 is a regular weight, normal width, low contrast, upright, normal x-height font visually similar to 'Midsole' by Grype (names referenced only for comparison).
Keywords: ui labels, app design, dashboards, tech branding, signage, technical, modern, futuristic, clean, industrial, ui clarity, systemic consistency, modern branding, compact efficiency, tech signaling, boxy, crisp terminals, geometric, gridlike, modular.
This is a geometric sans built from squarish bowls and softened corners, producing a superelliptical, rounded-rectangle skeleton across both caps and lowercase. Strokes are largely uniform with crisp terminals, and curves transition into straight segments with a distinctly machined feel. Counters tend to be compact and boxy (notably in O/o, D, P, and 0), and letterforms lean on simplified, modular construction; diagonals (V, W, X, Y, Z) are straight and sharp, contrasting with the rounded corners elsewhere. Overall spacing and proportions read orderly and grid-friendly, with a clear, contemporary silhouette.
It works well for UI/UX typography, dashboards, device screens, and software branding where a clean, geometric tone is desirable. The squared-round forms make it a strong choice for logos, tech packaging, wayfinding, and short marketing headlines that benefit from a distinctive, modern silhouette. It is also suited to data-forward materials—tables, settings menus, and product specs—where consistent shapes and clear numerals matter.
The overall tone is technical and contemporary, with a calm, engineered confidence. Its rounded-rectangle geometry gives it a friendly edge without becoming playful, landing in a clean, modern “interface” mood rather than a humanist one. The rhythm feels efficient and slightly futuristic, suited to systems, tools, and product-forward branding.
The design appears intended to provide a consistent, modular voice for contemporary digital and technical contexts. Its rounded-rectangle construction prioritizes a distinctive silhouette and repeatable geometry, aiming for clarity and cohesion across headings, labels, and numerals. The restrained detailing suggests a focus on usability and a scalable, system-like aesthetic.
The uppercase set has a strong, architectural presence due to wide, squared bowls and minimal modulation, while the lowercase carries the same geometry in a more compact, utilitarian way. Numerals follow the same rounded-rectangle logic, giving figures a cohesive, display-ready look for interfaces and product contexts.