Sans Superellipse Abdoj 5 is a regular weight, normal width, low contrast, upright, tall x-height font visually similar to 'Acto' by Monotype, 'Exo Soft' by Polimateria, and 'Quan Geometric' and 'Quan Pro' by Typesketchbook (names referenced only for comparison).
Keywords: ui text, signage, branding, headlines, packaging, modern, technical, clean, utilitarian, confident, clarity, system design, modern utility, brand neutrality, geometric, squared-round, compact curves, flat terminals, sturdy.
A geometric sans built from squared-round (superelliptic) curves and broad, flat terminals. Strokes are consistent and sturdy, with generous counters and a tall lowercase that keeps words open and legible. Round letters like O/C/G read as rounded rectangles rather than pure circles, while joins and shoulders stay firm and slightly squared, giving the design a crisp, engineered texture. The numerals follow the same squared-round construction, with clear, uncomplicated forms that keep spacing even in running text.
This font performs well in UI and product text where clarity and even color are important, and it scales nicely for signage and wayfinding thanks to its open counters and sturdy shapes. It also suits contemporary branding and packaging, especially for tech, tools, and consumer products that benefit from a clean, engineered look.
The overall tone is modern and pragmatic, with a slightly industrial, engineered feel. Its squared-round curves add friendliness without becoming soft, projecting a confident, straightforward voice that suits contemporary interfaces and product environments.
The design appears intended to merge geometric discipline with approachable rounded-rectangle forms, creating a versatile sans that feels contemporary and functional. Its consistent stroke behavior and squared-round geometry suggest a focus on systematized shapes that remain readable in both display and text settings.
Capitals appear solid and steady, with broad horizontals and minimal modulation that supports high-contrast color use and dense layouts. The lowercase maintains a consistent rhythm with simple, functional details (notably in forms like a, t, and k), emphasizing clarity over ornament.