Sans Other Digik 10 is a very bold, wide, medium contrast, upright, normal x-height font visually similar to 'AG Royal' by Berthold, 'Flaco' by Letter Edit, 'Trade Gothic Next' and 'Trade Gothic Next Soft Rounded' by Linotype, and 'MVB Solitaire Pro' by MVB (names referenced only for comparison).
Keywords: posters, headlines, logos, packaging, event flyers, rugged, playful, hand-cut, chunky, casual, handmade texture, bold impact, playful display, diy poster, angular, irregular, chiseled, blocky, uneven.
A heavy, blocky sans with jagged, hand-cut contours and noticeably irregular stroke edges. The letterforms are built from chunky masses with angular cuts, asymmetrical counters, and a slightly wobbly baseline and cap alignment that gives a handmade rhythm. Curves are simplified into faceted arcs (notably in C, G, O, and S), and terminals tend to end in blunt, sliced shapes rather than smooth rounds. Spacing and widths feel intentionally inconsistent, reinforcing an organic, cut-paper silhouette while keeping forms broadly legible at display sizes.
Best suited to short, attention-grabbing text such as posters, headlines, logotypes, packaging callouts, and event or entertainment flyers. It can also work for playful branding accents or chapter openers where a rugged, handmade presence is desired, rather than for long paragraphs of body copy.
The overall tone is bold and mischievous, with a rough-hewn, DIY energy. Its uneven, chiseled texture suggests spontaneity and humor more than precision, lending a friendly “monster” or carnival-poster attitude without becoming fully decorative or script-like.
The design appears intended to mimic a cut-out or roughly carved aesthetic—prioritizing impact and personality through uneven edges, faceted curves, and slightly inconsistent widths while preserving straightforward sans letter structures for quick recognition.
The figures and lowercase follow the same faceted construction, with compact counters and strong black shapes that will dominate a page. At smaller sizes the internal apertures and irregular edges may fill in visually, so it reads best when given room and contrast.