Sans Faceted Asgi 13 is a very bold, normal width, low contrast, upright, tall x-height font visually similar to 'Military Jr34' by Casloop Studio and 'Panton' and 'Panton Rust' by Fontfabric (names referenced only for comparison).
Keywords: posters, headlines, sports branding, signage, packaging, athletic, industrial, assertive, retro, mechanical, impact, ruggedness, sports feel, geometric clarity, angular, blocky, chamfered, faceted, compact.
A heavy, faceted display sans built from straight strokes and chamfered corners, with minimal curvature and a strongly geometric construction. Counters are tight and often rectangular, and many joins are cut back into crisp planes that create a beveled, stencil-like rhythm without actual breaks in the strokes. Uppercase forms are broad and squared with pronounced corner cuts, while the lowercase keeps a tall, sturdy structure with simple, vertical stems and compact bowls. Numerals match the same hard-edged logic, reading as blocky, sign-ready figures with consistent stroke mass and squared terminals.
Best suited to short, high-impact settings such as posters, headlines, team or event branding, bold labeling, and package fronts where the angular silhouette can do the work. It can also function in large-format signage or UI headers, but long passages benefit from generous spacing due to the dense counters and heavy texture.
The overall tone is bold and forceful, with a sporty, workmanlike energy that suggests uniforms, equipment labels, and rugged signage. Its sharp facets add a retro-industrial flavor—more engineered than friendly—giving text a punchy, commanding presence.
The design appears intended to translate the look of chiseled or beveled lettering into a clean, digital display face: hard corners, planar cuts, and a uniform, high-impact texture optimized for attention-grabbing typography.
The font’s repeated corner chamfers create a consistent “cut metal” motif across letters and numbers, and the tight internal spaces make it most effective when given adequate size or tracking. Diacritics shown (dots on i/j) are square and weighty, reinforcing the rigid, constructed feel.