Sans Other Roby 13 is a bold, normal width, monoline, upright, normal x-height font visually similar to 'Stallman' and 'Stallman Round' by Par Défaut (names referenced only for comparison).
Keywords: headlines, posters, logos, game ui, packaging, techno, industrial, retro, game-like, mechanical, futuristic display, modular system, impactful signage, geometric styling, angular, square, chamfered, modular, geometric.
A hard-edged, geometric sans built from straight strokes and squared counters, with frequent chamfered corners that create a faceted, cut-metal look. Letterforms are largely rectilinear, with sharp terminals and minimal curvature; rounded shapes like O and Q resolve into octagonal or boxy forms. The rhythm is compact and grid-influenced, with consistent stroke weight and clear, simplified joins that keep forms crisp at display sizes. Distinctive constructions appear throughout—such as notched diagonals, squared bowls, and a single-storey a and g—reinforcing a modular, engineered feel.
This font is well suited to display applications where a bold, tech-forward voice is needed—headlines, posters, branding marks, and entertainment or game UI. It can also work for short labels on packaging or product graphics, especially when an industrial or retro-futurist aesthetic is desired.
The overall tone is futuristic and utilitarian, evoking arcade interfaces, sci-fi signage, and industrial labeling. Its sharp geometry and clipped corners feel assertive and technical, with a retro-digital edge that reads as purposeful rather than decorative.
The likely intention is to provide a highly structured, geometric display sans that reads as engineered and modern, using modular shapes and chamfered corners to suggest precision and durability. It appears designed to maximize visual impact and stylistic coherence rather than mimic conventional grotesk proportions.
The design favors strong silhouettes and high contrast between black strokes and open counters, producing a punchy texture in headlines. Diagonals are used sparingly and tend to be presented as stepped or chamfered, which keeps the system visually consistent. Numerals follow the same squared logic, supporting a cohesive, signage-like system across letters and figures.