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Free for Commercial Use

Sans Superellipse Otmuj 3 is a bold, narrow, monoline, upright, normal x-height font visually similar to 'Aspira' by Durotype; 'Aago', 'Aaux Next Comp', and 'Aaux Next Cond' by Positype; and 'Nu Sans' by Typecalism Foundryline (names referenced only for comparison).

Keywords: headlines, posters, packaging, signage, branding, utilitarian, modern, punchy, friendly, space-saving impact, geometric clarity, display emphasis, brand utility, blocky, compact, rounded, sturdy, high-contrast presence.


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A compact, heavy sans with rounded-rectangle construction and softly squared curves. Strokes stay largely even in thickness, creating a solid, monolithic color on the page, while apertures are kept relatively tight for a dense rhythm. Counters in letters like O, P, and B read as rounded squarish forms, and terminals are clean and blunt rather than tapered, reinforcing a straightforward, engineered feel. The lowercase shows a simple, workmanlike structure with a single-storey a and g, minimal modulation, and short extenders that help maintain a tight vertical footprint.

Well-suited to headlines, posters, and short bursts of copy where dense weight and compact width maximize impact. The rounded-square construction also fits branding and packaging that wants a sturdy, contemporary voice, and it can perform well for signage or labels where bold shapes need to hold together at a distance.

The overall tone is direct and confident, with a friendly edge coming from the rounded geometry. It feels contemporary and practical—more about clarity and impact than elegance—making it read as assertive without becoming aggressive.

The design appears intended to deliver a compact, high-impact sans with rounded-square geometry that stays clean and consistent. Its emphasis on uniform stroke weight and tight rhythm suggests a focus on practical display use where space is limited but presence is required.

The font maintains strong consistency across caps, lowercase, and numerals, producing a uniform “stamp-like” texture in paragraphs. Narrow proportions and tight internal space suggest it benefits from slightly looser tracking in longer text, while it naturally excels when set large.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸