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Free for Commercial Use

Sans Superellipse Akvo 12 is a bold, narrow, monoline, upright, tall x-height font visually similar to 'Canby JNL' by Jeff Levine, 'KSW Uberground Mono Std' and 'KSW Uberground Pro' by Koshawa, and 'Goldana' by Seventh Imperium (names referenced only for comparison).

Keywords: headlines, posters, signage, packaging, labels, industrial, utilitarian, modern, technical, authoritative, space saving, high impact, systematic, legibility, condensed, rounded corners, square curves, closed apertures, high contrast-free.


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A condensed, heavy sans with monoline strokes and a superelliptical construction: curves resolve into rounded-rectangle bowls and counters rather than circular forms. Corners are consistently softened, while terminals tend to finish flat, producing a sturdy, engineered silhouette. Uppercase shapes are compact and vertical, with squared-off curves in letters like C, G, O, and Q; the lowercase keeps a tall, efficient rhythm with mostly closed apertures and minimal modulation. Numerals follow the same rounded-rect geometry, with simple, blocky forms designed for quick recognition.

Best suited to bold display settings where space is limited: posters, condensed headlines, packaging, and wayfinding or labeling. The dense, uniform texture also works well for short UI titles or dashboards where a strong typographic voice is needed without relying on decorative details.

The tone is functional and no-nonsense, with an industrial, signage-like presence. Its tight width and heavy color read as assertive and practical, leaning toward contemporary technical aesthetics rather than friendly or calligraphic expression.

The design appears intended to deliver a compact, high-impact voice with a controlled geometric language. By combining condensed proportions with rounded-rectangle forms and uniform stroke weight, it aims for efficient readability and a modern, industrial character that holds up in large text and tight layouts.

The overall spacing and compact proportions create strong word-shapes in headlines, while the rounded-square counters keep the texture uniform and controlled. The design emphasizes clarity through simplified forms and consistent corner radii, giving it a disciplined, system-oriented feel.

120px
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72px
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56px
48px
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8px
Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸