Sans Other Obba 9 is a very bold, normal width, monoline, upright, normal x-height font visually similar to 'ATF Poster Gothic' by ATF Collection, 'Kolesom' by Frantic Disorder, 'Mexiland' by Grezline Studio, 'Cartella NF' by Nick's Fonts, and 'Winner Sans' by sportsfonts (names referenced only for comparison).
Keywords: headlines, posters, logotypes, game ui, packaging, arcade, industrial, techno, retro, brutalist, high impact, tech aesthetic, retro display, signage feel, angular, geometric, square, blocky, stencil-like.
A heavy, square-built sans with sharply chamfered corners and a strong pixel/brick modularity. Forms are constructed from straight strokes and right angles, with occasional diagonal cuts and notched terminals that create a clipped, mechanical silhouette. Counters tend to be squarish and compact (often appearing as inset rectangles), and the overall texture is dense with minimal curvature and a consistent, monoline stroke presence. The rhythm is punchy and display-oriented, with slightly irregular, constructed details that give letters a hand-built, geometric feel rather than a purely grid-perfect one.
Best suited to headlines, titles, and short bursts of text where its angular construction can be appreciated. It works well for game interfaces, sci‑fi or tech branding, posters, packaging, and bold labeling where a compact, high-impact texture is desirable.
The tone is bold and utilitarian, evoking arcade UI, sci‑fi labeling, and industrial signage. Its sharp geometry and carved-in notches suggest a retro-futurist, techno mood with a rugged, poster-like assertiveness.
This design appears intended as a high-impact display sans that blends geometric, squared forms with purposeful notches and chamfers to create a techno-industrial voice. The constructed details and compact counters emphasize recognizability and character over neutral readability.
Several glyphs use distinctive internal cutouts and stepped joins that enhance a stenciled, fabricated impression. The squarish apertures and tight counters can visually close up at smaller sizes, while at larger sizes they read as intentional, graphic detailing.