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Sans Superellipse Giguj 7 is a very bold, normal width, low contrast, upright, tall x-height font visually similar to 'Cybersport' by Anton Kokoshka, 'Mercurial' by Grype, 'Home Room JNL' by Jeff Levine, 'Reload' by Reserves, '946 Latin' by Roman Type, and 'Kimberley' by Typodermic (names referenced only for comparison).

Keywords: headlines, posters, logotypes, packaging, signage, sporty, industrial, retro, assertive, playful, impact, modern branding, friendly strength, high visibility, blocky, rounded, compact, sturdy, soft corners.


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A heavy, blocky sans with rounded-rectangle construction and generously softened corners. Strokes are uniform and monolinear, with large interior counters and squared-off terminals that often finish with subtle rounding rather than sharp edges. Curves tend toward superelliptical bowls, producing a squarish rhythm in letters like O, C, and G. The lowercase is built to match the uppercase’s mass and geometry, with simplified forms and short, blunt joins; figures follow the same solid, engineered feel with broad shapes and open apertures.

Best suited for headlines, posters, and large-scale typography where its chunky forms and rounded-square geometry can carry strong visual presence. It works well for branding and logotypes, packaging, sports or lifestyle graphics, and attention-grabbing signage where a sturdy, friendly-industrial voice is desired.

The overall tone is bold and confident, mixing a utilitarian, industrial toughness with a friendly softness from the rounded corners. Its chunky geometry reads energetic and sporty, with a mildly retro, display-forward personality that feels at home in bold headlines and branding.

This design appears intended to deliver maximum impact through simplified, rounded-rectangular forms and consistent stroke weight, balancing toughness with approachability. The geometry emphasizes clear silhouettes and a tight, energetic texture for display settings.

The face favors compact shapes and strong silhouettes, creating high impact at medium-to-large sizes. Diagonals in letters like K, V, W, X, and Y feel sturdy and slightly compressed, reinforcing a dense, poster-like texture. Punctuation and spacing in the sample text suggest a design aimed at punchy readability rather than delicate detail.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸