Sans Superellipse Temot 5 is a bold, narrow, low contrast, upright, normal x-height font visually similar to 'Bouncer' by Fenotype, 'FF Dax Compact' by FontFont, 'Erbar AT' by Linotype, 'Futura Now' by Monotype, and 'Fact' by ParaType (names referenced only for comparison).
Keywords: posters, headlines, packaging, logos, stickers, retro, handmade, posterish, friendly, playful, high impact, retro flavor, printed texture, friendly display, chunky, rounded, soft corners, inked texture, condensed.
A chunky, condensed sans with rounded-rectangle construction and softened corners throughout. Strokes are heavy and largely monolinear, with gently irregular edges that read like inked or stamped letterforms rather than perfectly machined outlines. Curves are built from broad superelliptical bowls, and terminals tend to be blunt and squared-off with subtle rounding. The texture and slightly uneven contouring add a tactile rhythm, while counters stay fairly open for a compact, display-oriented silhouette.
Best suited to short-to-medium display settings where texture and character are desirable, such as posters, headlines, packaging, labels, and logo wordmarks. It can also work for punchy subheads or callouts, especially when you want a vintage or stamped feel without decorative flourishes.
The overall tone feels retro and handmade, combining a friendly, approachable softness with the assertiveness of a bold stamp. Its compact width and chunky mass give it a poster and packaging energy, while the imperfect edges keep it warm and informal rather than corporate.
The design appears intended to deliver a compact, high-impact sans built from rounded-rectangle shapes, enhanced with a subtle printed texture to evoke analog production. It prioritizes personality and bold presence over strict geometric precision, aiming for a distinctive, friendly display voice.
Lowercase forms keep a simple, sturdy structure with minimal modulation, and the figures follow the same blocky, rounded logic for visual consistency. The irregularities appear consistent across glyphs, suggesting a deliberate distressed/printed effect rather than random noise.