Sans Superellipse Temud 8 is a bold, narrow, low contrast, upright, normal x-height font visually similar to 'ATF Alternate Gothic' by ATF Collection, 'News Gothic BT' by Bitstream, 'CF Blast Gothic' by Fonts.GR, 'Trade Gothic' by Linotype, 'Hardley Brush' by Negara Studio, 'News Gothic' by ParaType, and 'News Gothic SH' by Scangraphic Digital Type Collection (names referenced only for comparison).
Keywords: posters, headlines, packaging, logos, stickers, playful, rugged, handmade, retro, loud, space-saving, high impact, handmade texture, display emphasis, condensed, chunky, rounded, blunt, uneven.
A compact, chunky sans with rounded-rectangle curves and blunt terminals. Strokes are heavy and largely even, with subtly irregular edges that create a stamped or cut-out texture rather than a clean geometric finish. Counters are tight and simplified, and many forms lean on straight-sided bowls and squared-off curves, producing a dense, high-impact rhythm. The overall width is compact, with slightly inconsistent character widths that add a natural, handmade cadence in text.
Best suited to display applications where bold texture and compact width are assets: posters, social graphics, packaging, labels, and punchy logotypes. It also works well for short UI or signage bursts when a friendly, rugged voice is desired, especially with generous tracking and line spacing.
The font conveys an energetic, playful toughness—like a bold headline set with a screen-printed or rubber-stamped feel. Its condensed heft and slightly rough finish give it a retro, DIY personality that reads as informal and attention-grabbing rather than refined.
Likely designed to deliver maximum impact in limited horizontal space while adding character through controlled irregularity. The rounded-rectangle construction keeps shapes cohesive and approachable, while the roughened edges introduce a handcrafted, print-like voice for expressive branding.
Round letters such as O/Q and lowercase o/p show superellipse-like structure, while diagonals in V/W/X/Y are thick and emphatic, helping the face hold up in short bursts of copy. At smaller sizes the tight apertures and condensed spacing can make dense text feel dark, so it performs best when given breathing room.