Sans Superellipse Aslat 7 is a very light, normal width, low contrast, upright, normal x-height font.
Keywords: ui labels, wayfinding, branding, posters, packaging, minimal, technical, clean, futuristic, precise, geometric coherence, modernist clarity, system design, softened tech, geometric, monoline, rounded corners, tall proportions, open counters.
A monoline sans built from rounded-rectangle (superellipse) construction, with softly squared curves and consistently rounded outer corners. Proportions are tall and narrow, with long ascenders and descenders and generous vertical whitespace, giving the face an airy rhythm. Strokes stay even throughout, terminals are mostly flat or softly rounded, and bowls and counters tend toward squared-off ovals rather than true circles. The lowercase shows simple, compact forms with single-story a and g, a short-armed r, and a slender, straight-stemmed t; numerals follow the same rounded-rect geometry with a clean, open 2 and a boxy 0.
Works well for interface typography, labels, and dashboards where a clean, technical voice and tight geometric consistency are desired. The tall, airy construction can also serve contemporary branding, packaging, and poster headlines, especially in minimalist layouts. In longer passages it maintains a light, unobtrusive texture, making it suitable for short-to-medium text blocks at comfortable sizes.
The overall tone is cool and contemporary, leaning toward a tech-forward, engineered feel rather than humanist warmth. Its rounded corners soften the geometry, keeping it approachable while still reading as precise and modern. The light, open texture suggests clarity and restraint, suited to minimalist visual systems.
The design appears intended to translate a rounded-rectangle geometry into a readable, contemporary sans, prioritizing consistency of curvature and a sleek, engineered silhouette. It aims to balance a futuristic, system-like aesthetic with softened corners for a calmer, more approachable presence.
Straight strokes and corners align crisply, while curved joins are consistently softened, creating a unified “rounded-square” motif across letters and figures. The cap set is especially architectural, with wide apertures in C/G and rectangular bowls in D/O/Q. Spacing appears even and measured, supporting a tidy, grid-friendly appearance in continuous text.