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Sans Faceted Abdek 4 is a very bold, narrow, low contrast, upright, tall x-height font visually similar to 'FX Gerundal' by Differentialtype, 'Magnitudes' by DuoType, 'Bystone' by GraphTypika, 'Conthey' by ROHH, and 'Yoshida Sans' and 'Yoshida Soft' by TypeUnion (names referenced only for comparison).

Keywords: headlines, posters, sports branding, packaging, logos, industrial, sports, poster-ready, retro, assertive, impact, compactness, geometric styling, branding, angular, chamfered, blocky, condensed, octagonal.


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A heavy, condensed display face built from straight strokes and clipped corners, replacing curves with crisp facets. Counters tend toward octagonal shapes, and terminals are squared or chamfered, giving the alphabet a uniform, machined rhythm. The forms are compact and vertical, with a large x-height and tight, efficient interior spaces that keep letters dense and high-impact. Numerals and capitals share the same planar construction, producing a consistent, hard-edged texture in text.

Best suited to short, prominent text such as headlines, posters, and impactful brand marks where its dense shapes and faceted contours can read clearly. It also works well for sports branding, labels, and packaging that benefit from an industrial or team-identity feel. In longer settings it will create a strong, dark typographic color and is most effective when used with generous tracking and spacing.

The faceted construction and dense silhouettes convey a tough, utilitarian tone with a sporty, headline-first confidence. Its angular geometry reads as engineered and modern-leaning, while the blackletter-adjacent massing hints at heritage signage and team branding. Overall it feels bold, no-nonsense, and attention-grabbing.

The letterforms appear designed to deliver maximum impact in limited horizontal space while maintaining a consistent, planar geometry. By substituting curves with chamfers and octagonal counters, it aims for a robust, engineered look that stands out in display typography and identity applications.

The design relies on repeated chamfers and straight joins to create visual consistency across rounds like C, O, and S, and it maintains strong legibility through large counters despite the compact widths. The texture in paragraphs is dark and even, with distinctive angular silhouettes that remain recognizable at a glance.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸