Font Hero

Free for Commercial Use

Sans Faceted Nidi 3 is a very bold, narrow, low contrast, upright, normal x-height font visually similar to 'Diamante EF' by Elsner+Flake, 'Refinery' by Kimmy Design, 'PODIUM Sharp' by Machalski, 'Diamante Serial' by SoftMaker, 'TS Diamante' by TypeShop Collection, 'Hurdle' by Umka Type, and 'Winner Sans' by sportsfonts (names referenced only for comparison).

Keywords: headlines, posters, sportswear, packaging, signage, industrial, athletic, retro, tough, compact, impact, space-saving, branding, machined look, display legibility, faceted, octagonal, blocky, geometric, stencil-like.


Free for commercial use
Customize the font name

This typeface uses heavy, compact letterforms built from straight strokes and clipped, chamfered corners that replace curves with planar facets. Counters are tight and mostly rectangular or octagonal, giving a dense texture and strong horizontal rhythm in text. Joins and terminals are square and abrupt, with consistent corner cuts across rounds (O, C, G, Q) and many lowercase forms. The lowercase is simplified and sturdy, with short ascenders/descenders and a single-storey a; the numerals follow the same squared, chamfered construction for a uniform set.

Best suited to display roles where impact and compactness matter—headlines, posters, labels, and bold signage. It also fits athletic branding, equipment markings, and industrial or retro-themed packaging where an engineered, stamped look is desired.

The overall tone is assertive and utilitarian, with a sporty, workwear feel that reads as rugged and no-nonsense. Its faceted geometry also adds a retro-machined character reminiscent of stamped labeling and team or equipment graphics.

The design appears intended to deliver maximum punch in limited space by combining compact proportions with a consistent chamfered, faceted construction. The emphasis is on legibility at display sizes and a distinctive industrial/sport voice rather than delicate text nuance.

In paragraphs it maintains a strong, even color but can feel packed due to narrow apertures and small counters, especially where multiple verticals cluster. The angular treatment is highly consistent, which helps headings look cohesive and intentional rather than merely condensed.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸