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Free for Commercial Use

Blackletter Beka 10 is a regular weight, normal width, high contrast, upright, normal x-height font.

Keywords: headlines, posters, branding, packaging, certificates, medieval, gothic, ceremonial, dramatic, authoritative, historical evocation, formal display, dramatic emphasis, traditional craft, angular, ornate, calligraphic, textura-like, broken strokes.


Free for commercial use
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This face presents a blackletter-inspired structure with sharply broken curves, pointed terminals, and strong thick–thin modulation that reads like a broad-nib calligraphic model. Strokes shift from heavy verticals to tapering diagonals, with frequent angular joins and wedge-like serifs that create a crisp, faceted silhouette. Uppercase forms are compact and assertive, while the lowercase shows a rhythmic, vertical texture with narrow counters and tightly articulated shoulders. Numerals follow the same calligraphic logic, mixing straight stems with curved, knife-edged finishing strokes for a cohesive set.

Best suited to display use such as headlines, event posters, logotypes, album or book covers, and period-themed branding where a historic voice is desired. It can also work for certificates, invitations, and labels that benefit from a formal, authoritative texture, especially at moderate-to-large sizes.

The overall tone is historic and ceremonial, evoking manuscript lettering, heraldry, and old-world gravitas. Its sharp contrasts and ornamental bite give it a dramatic, slightly intimidating presence that feels formal and tradition-laden rather than casual.

The design intention appears to be a faithful, readable blackletter display face that captures the broad-nib, broken-stroke character of traditional lettering while maintaining consistent proportions across capitals, lowercase, and numerals for cohesive typographic use.

In text settings, the dense vertical rhythm and angular details produce a strong pattern on the page; the letterforms rely on distinctive interior notches and tapered ends for differentiation. The design feels most confident when given room for its details to resolve, as the tight counters and broken strokes can visually merge at smaller sizes.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸