Sans Superellipse Vemuz 1 is a light, very wide, low contrast, upright, tall x-height font visually similar to 'Gltp Starion' by Glowtype (names referenced only for comparison).
Keywords: ui labels, signage, branding, headlines, packaging, modern, minimal, futuristic, technical, clean, geometric clarity, modern branding, digital-first, soft technical, rounded, geometric, monoline, open apertures, soft corners.
A wide, geometric sans with monoline strokes and rounded-rectangle (superelliptic) construction throughout. Curves resolve into gently flattened arcs and soft corners rather than perfect circles, giving counters a squarish, engineered feel. The terminals are clean and mostly horizontal/vertical, with consistent stroke endings and a steady rhythm. Uppercase forms are broad and airy, while lowercase shows simple, single-storey shapes (notably the a and g) with open apertures and generous internal space. Numerals follow the same squared-round logic, with a rounded-rectangular 0 and smooth, streamlined 2 and 3.
Well-suited to interface labels, dashboards, and product ecosystems where a clean, contemporary geometry helps maintain clarity. The wide proportions also make it effective for headlines, posters, and branding systems that want a spacious, modern footprint, as well as signage where rounded forms can feel approachable while remaining precise.
The overall tone is contemporary and quietly futuristic, balancing friendliness from the rounded corners with a precise, utilitarian geometry. Its wide stance and open shapes convey a spacious, calm voice that reads as tech-forward without becoming cold.
This font appears designed to translate superelliptic, rounded-rectangular geometry into a readable sans for modern digital and product contexts. The intent seems to be a consistent, engineered silhouette with friendly edges and strong visual coherence across the character set.
Letterforms emphasize horizontal breadth and clear internal counters, producing an even texture in text. The design language stays consistent across caps, lowercase, and figures, with distinctive superelliptic bowls in letters like D, O, P, and Q and a simplified, graphic approach to diagonals in K, V, W, X, and Y.