Sans Superellipse Mifa 2 is a bold, wide, low contrast, upright, normal x-height font.
Keywords: headlines, posters, logotypes, packaging, ui labels, techy, futuristic, industrial, game ui, retro-digital, display impact, screen-first feel, geometric consistency, tech branding, rounded corners, squared bowls, geometric, blocky, monoline.
A geometric sans built from rounded-rectangle and superellipse-like forms, with consistently heavy, monoline strokes. Corners are broadly radiused and terminals tend to be blunt, giving most letters a soft-edged, blocky silhouette. Counters are squarish and compact (notably in O, D, P, and 0), while joins remain clean and mostly orthogonal, producing a steady, grid-friendly rhythm. The lowercase shares the same construction logic as the caps, with simplified shapes and minimal modulation; spacing appears open enough for display use, with some letters (like W/M) adopting straight, mechanical structures rather than traditional diagonals.
Best suited to short-form, high-impact typography such as headlines, poster titling, branding marks, and packaging where a sturdy, modern-tech voice is desired. It also works well for UI labels, HUD-style graphics, and game or product interfaces where geometric consistency and compact counters help keep shapes recognizable at small-to-medium sizes.
The overall tone feels digital and engineered—friendly because of the rounded corners, but still assertive and utilitarian due to the squared geometry and heavy build. It reads as contemporary tech with a hint of retro arcade or sci‑fi interface styling, emphasizing clarity and impact over warmth or calligraphic personality.
The design appears intended to translate rounded-rectangle geometry into a highly consistent, modern display alphabet that feels at home on screens and in technical branding. By prioritizing modular construction, blunt terminals, and squared counters, it aims for fast recognition and a distinctive digital-industrial character.
Distinctive construction choices—such as the squared, inset counters and the rectangular approach to curves—create a strong identity that stays consistent across letters and numerals. The figures are similarly boxy and robust, matching the alphabet closely and reinforcing an interface-oriented, system-like cohesion.