Sans Superellipse Abgir 18 is a regular weight, wide, low contrast, upright, tall x-height font visually similar to 'Sans Beam' by Stawix and 'Robusta' by Tilde (names referenced only for comparison).
Keywords: ui, branding, signage, headlines, infographics, clean, modern, neutral, friendly, technical, systematic, screen-first, approachable geometry, clarity, rounded corners, soft geometry, open apertures, uniform strokes, compact joins.
A geometric sans with softly squared, superellipse-like curves and subtly rounded corners. Strokes stay even and monolinear, with tidy terminals and a consistent, engineered rhythm across the set. Round letters such as O/C/G read as rounded rectangles rather than perfect circles, while straight-sided forms keep crisp verticals and horizontals. Lowercase proportions show a prominent x-height with short extenders, and counters are generous, contributing to steady readability at larger text and UI sizes.
Well suited to interface typography, dashboards, and product design systems where a controlled geometric texture and clear letterforms matter. It also works for contemporary branding, wayfinding, and short editorial headlines that benefit from a modern, slightly softened technical look. The even stroke behavior and open counters help maintain clarity in bold-sized text blocks and informational graphics.
The tone is contemporary and matter-of-fact, balancing precision with a mild friendliness from the rounded geometry. It feels utilitarian without being cold, giving designs a calm, organized presence. The overall impression leans toward digital product aesthetics and clean signage rather than expressive or calligraphic voice.
The design appears intended to deliver a modern geometric voice with softened square-round shapes for approachability, while keeping a disciplined, systematized structure for consistent reuse across layouts. Its superellipse-driven curves suggest a focus on screen-forward aesthetics and modular, grid-based composition.
The figures and capitals share the same squared-round construction, giving the numerals a stable, tabular feel visually even though widths vary by character. Diagonals (A, V, W, X, Y) are sturdy and straightforward, and bowls/joints resolve cleanly, reinforcing a systematic, grid-ready look.