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Sans Other Relap 2 is a very bold, very narrow, monoline, upright, tall x-height font visually similar to 'Neumatic Compressed' by Arkitype, 'Procerus' by Artegra, 'Capzule' by Bogusky 2, 'GW Pleasance' by Goodwheel Studio, 'Exorts Compressed' by Seventh Imperium, and 'Robson' by TypeUnion (names referenced only for comparison).

Keywords: posters, headlines, branding, packaging, signage, industrial, condensed, architectural, stencil-like, retro, space-saving, high impact, modular look, signage voice, rectilinear, angular, hard-edged, modular, high-contrast negative.


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A tightly condensed, rectilinear display sans with heavy verticals and crisp, squared terminals. Forms are built from straight strokes and sharp corners, with frequent internal vertical cut-ins and narrow counters that create a split, almost stencil-like rhythm. Curves are minimized and often resolved into faceted, chamfered joins, giving round letters a geometric, engineered feel. The overall texture is dense and high-impact, with compact spacing and strong vertical emphasis that reads as a continuous wall of black punctuated by thin internal openings.

Best suited to display applications such as posters, headlines, logos, and packaging where a compact, high-impact voice is useful. It can also work for signage or UI titling in industrial or sci‑fi themed projects, especially when set with added letterspacing to preserve the internal detailing.

The font projects a stern, mechanical tone—part industrial signage, part retro-futurist titling. Its narrow, towering silhouettes and carved-in details feel authoritative and utilitarian, suggesting machinery, architecture, or science-fiction interfaces rather than friendly everyday text.

The design appears intended to maximize impact in minimal horizontal space while maintaining a consistent, modular construction. Its carved interior cuts and angularized curves suggest a deliberate “engineered” aesthetic meant to stand out in short titles and wordmarks.

Because counters and apertures are consistently tight, the design rewards larger sizes and generous tracking where the internal cut-ins remain distinct. The repeated vertical notches create a distinctive rhythm across words, reinforcing a modular, constructed identity.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸